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"I liked architecture going into college, and Berkeley’s hippie culture made me like it even more. A lot of the professors came up in the 1960s and emphasized the personal, human scale of architecture. One of them had a favorite story: 'At the top of every stair you should put a bench, so that the grandfather can read a book to his grandson.' When I came out to New York for grad school, everything was very theoretical and academic. You were hardly ever designing for a person. You were designing for some type of abstract ideal, not a grandpa."—@dongpingwong. Follow #CreativeNewYork for more from Dong-Ping Wong and Oana Stanescu of design office @family_newyork over the coming days, and read the full #PopRally Q&A at the link in our profile. [Family New York. Rendering of the Circle Bridge. 2010.]

A post shared by MoMA The Museum of Modern Art (@themuseumofmodernart) on Mar 29, 2016 at 6:54pm PDT