The Young Naturalist Award, given to 13-year-old Aidan, who studied the Fibonacci sequence and applied it to trees, conjectured it made trees more efficient at capturing sunlight, and set off on a series of experiments and explorations:
when I went on a winter hiking trip in the Catskill Mountains in New York, I noticed something strange about the shape of the tree branches. I thought trees were a mess of tangled branches, but I saw a pattern in the way the tree branches grew. I took photos of the branches on different types of trees, and the pattern became clearer.
The branches seemed to have a spiral pattern that reached up into the sky. I had a hunch that the trees had a secret to tell about this shape. Investigating this secret led me on an expedition from the Catskill Mountains to the ancient Sanskrit poetry of India; from the 13th-century streets of Pisa, Italy, and a mysterious mathematical formula called the “divine number” to an 18th-century naturalist who saw this mathematical formula in nature; and, finally, to experimenting with the trees in my own backyard.
The tree design takes up less room than flat-panel arrays and works in spots that don’t have a full southern view. It collects more sunlight in winter. Shade and bad weather like snow don’t hurt it because the panels are not flat. It even looks nicer because it looks like a tree. A design like this may work better in urban areas where space and direct sunlight can be hard to find.