For the most part, I have stood alone in a crowd of snobs thinking that Prince is a great artist. I've tried to explain what to me is an obvious fact to many people many times, to small avail. Look, it's hard to hear an argument when you are ROTFL. Seriously folks! You have to learn to look past the jerry curls -- and the pencil thin moustache, Louis XIV cuffs and purple sequins. He's like Sylvester Stallone: in spite of looking ridiculous while doing it, he writes everything AND plays all the instruments.
So FINALLY someone who is neither wearing lingerie nor from Minneapolis (nor Anil Dash) steps up to the plate. Nico Muhly, to be precise, profiled in The New Yorker. Viz:
Of the composers I heard, the one who seems best poised for a major career is Nico Muhly, a twenty-two-year-old, spiky-haired, healthily irreverent student of Corigliano’s at Juilliard. He has formed his own private repertory, running from the purest, hootiest English choral music to minimalism in its raw, classic phase. These tastes reflect two sharply different musical experiences—singing in a boys’ choir and working in Philip Glass's electronic studio. He also listens to a lot of off-kilter pop, like Björk, Múm, Ladytron, and Fischerspooner. "Nothing is better than Prince," he advised me. On a recent afternoon, he enjoyed motets by William Byrd, Khia’s salacious hip-hop track "My Neck, My Back," John Adams’s "China Gates," and Wagner’s "Götterdämmerung"—the last for a school paper.
If it weren't so late, I would tell a Prince story. Oh it is hilarious!! But it is long, and the hour is late. And so, so long. I will laugh myself to sleep thinking about it.
(via 3 quarks daily)