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March 2005 Archives

March 2, 2005

Tim Hawkinson

I discovered that there was a Tim Hawkinson exhibit at the Whitney by looking at Carolina's What's In Your Bag submission. If you haven't heard of the guy, he is a sculptor who makes enormous instruments like the Uberorgan, a stadium-sized organ made out of several miles of inflatable plastic sheeting, as well as curious ways of depicting his own body (including sculpting a tiny bird out of his own fingernail clippings, very Tom Friedman-y). Here's some information from the Whitney site, and another from Art 21 on PBS.

March 3, 2005

Chinese Literary Criticism

In Chinese literary criticism there are different methods of writing called “the method of watching a fire across a river” (detachment of style), “the method of dragonflies skimming across the water surface: (lightness of touch), “the method of painting a dragon and dotting its eyes” (bringing out the salient points).

- Richard E. Nisbett, The Geography of Thought, p. 18

March 8, 2005

Censorship

If you scream "censorship" in a crowded blogosphere, a thousand blogs will cry out, instantly condemning whomsoever has been called a censor.

Another surefire attention-grabber is "fired for blogging".

Once, when I was down by Fisherman's Wharf, a man asked me for a quarter, and so I gave him one. Then I went and bought a sandwich, and sat down and started eating it. The man came back, and said, "Give me your sandwich". I said no. So he turned around and started screaming "Racist!! Racist!!" and pointing at me. A dense crowd turned and looked at me. I got up and started walking away, and he followed me, screaming "RACIST! RACIST!". "Get away from me!" I said. I was walking faster and faster. No one was looking at him, they were looking at me. Suddenly I was scared. There would be no help. I started running. He ran after me, screaming "RACIST! RACIST!". He ran after me for ten blocks.

Marge and Jim, waiting in line for some lemonade, watched the woman run over the hill, the man chasing her. "Racism is a terrible thing!" Marge exclaimed. "Indeed," said Jim, and nodded sagely.

Nothing's Better than Prince

For the most part, I have stood alone in a crowd of snobs thinking that Prince is a great artist. I've tried to explain what to me is an obvious fact to many people many times, to small avail. Look, it's hard to hear an argument when you are ROTFL. Seriously folks! You have to learn to look past the jerry curls -- and the pencil thin moustache, Louis XIV cuffs and purple sequins. He's like Sylvester Stallone: in spite of looking ridiculous while doing it, he writes everything AND plays all the instruments.

So FINALLY someone who is neither wearing lingerie nor from Minneapolis (nor Anil Dash) steps up to the plate. Nico Muhly, to be precise, profiled in The New Yorker. Viz:

Of the composers I heard, the one who seems best poised for a major career is Nico Muhly, a twenty-two-year-old, spiky-haired, healthily irreverent student of Corigliano’s at Juilliard. He has formed his own private repertory, running from the purest, hootiest English choral music to minimalism in its raw, classic phase. These tastes reflect two sharply different musical experiences—singing in a boys’ choir and working in Philip Glass's electronic studio. He also listens to a lot of off-kilter pop, like Björk, Múm, Ladytron, and Fischerspooner. "Nothing is better than Prince," he advised me. On a recent afternoon, he enjoyed motets by William Byrd, Khia’s salacious hip-hop track "My Neck, My Back," John Adams’s "China Gates," and Wagner’s "Götterdämmerung"—the last for a school paper.

If it weren't so late, I would tell a Prince story. Oh it is hilarious!! But it is long, and the hour is late. And so, so long. I will laugh myself to sleep thinking about it.

(via 3 quarks daily)

March 9, 2005

When I look I am seen, so I exist.

-- D.W. Winnicott, Playing and Reality

March 10, 2005

Search: Trouble Poem

Sometimes I want to read a poem, but I dont know what poem, and so I do a search with the first word I think of, and then the word "poem". Then I read the first poem I find. You can discover some really bad poetry that way.

I did that today, and the first word I thought of was "trouble", and this was the first search result on Google for trouble + poem".

On Wenlock Edge The Wood's In Trouble

On Wenlock Edge the wood's in trouble;
His forest fleece the Wrekin heaves;
The gale, it plies the saplings double,
And thick on Severn snow the leaves.

'Twould blow like this through holt and hanger
When Uricon the city stood;
'Tis the old wind in the old anger,
But then it threshed another wood.

Then, 'twas before my time, the Roman
At yonder heaving hill would stare;
The blood that warms an English yeoman,
The thoughts that hurt him, they were there.

There, like the wind through woods in riot,
Through him the gale of life blew high;
The tree of man was never quiet:
Then 'twas the Roman, now 'tis I.

The gale, it plies the saplings double,
It blows so hard, 'twill soon be gone:
Today the Roman and his trouble
Are ashes under Uricon.

-- A. E. Housman

Language Poetry

There's a good Q and A on Ron Silliman's blog today that describes some of the background of Language Poetry, its cultural context and its various practioners. His blog is consistently one of the best blogs around. If you're at all interested in poetry you should make it part of your regular reading.

March 12, 2005

SXSW & ETech

I forgot to say here that I'm at SXSW in Austin. I'll only be here until tomorrow afternoon (after my panel), then I'm off to San Diego for Emerging Tech. You can follow along with the photos in my sidebar.

March 15, 2005

The Discovery of Heaven, p. 56, by Harry Mulisch

In a world full of war, famine, oppression, deceit, monotony, what -- apart from the eternal innocence of animals-- offers an image of hope? A mother with a newborn in her arms? The child may end up as a murderer, or a murder victim, so that the hopeful image is a prefiguration of pieta: a mother with her newly dead child on her lap. No, the image of hope is something passing with a musical instrument in a case. It is not contributing to oppression, or to liberation either, but to something that continues below the surface: the boy on his bike, with a guitar in a faded mock-leather cover on his back; a girl with a dented violin case waiting for the tram. The hallowed halls beneath concert platforms where orchestral musicians open their cases everywhere on tables and chairs and on the floor and take out their shining and glittering instruments, after which imprints of those instruments remain: negative clarinets, flutes, bassoons with their mouthpieces and connection, hollowed out of soft reinforced velvet; and while the space gradually fills with the muted cacophony of all the instruments thronging around the A like sparrows and seagulls and starlings and thrushes around a hunk of bread, the lids of the cases of double basses, as tall as a man, are opened like the doors to another world...

March 18, 2005

Jon Jerde

Horton Plaza

This is a photo of Horton Plaza in San Diego, a shopping mall built by Jon Jerde. I've never been to a Jerde mall before, though I'd read about him and had greatly anticipated doing so. It did not disappoint. It really is the consummate American architecture: colorful and caloric -- but ultimately unnutritious and ungratifying -- commercial junkspace. Here's the food court and the main promenade.

I was talking to Matt Jones and trying to recall that nice quote by Saarinen's dad in which he says, "Always design a thing by considering it in its next larger context—a chair in a room, a room in a house, a house in an environment, an environment in a city plan...." Matt observed that what Jerde had done was inverted that idea. He put a whole city into its next smaller context: a city inside a building.

His site, where you can read about his philosophy. Frank Gehry used to work with Jerde, I believe, and when you think about it, it's obvious: Gehry builds high concept art malls.

March 19, 2005

Dialing in from Scottsdale

Just arrived tonight in Scottsdale for PC Forum. The air smells beautiful around here -- sage? -- and there is a fantastic waterfall in the middle of the hotel, modelled after Aztec pyramids.

Forgot my bathing suit -- again!!

Also forgot to bring the book I was reading at home, Women's Writing in Contemporary France. And had nothing to read on the plane! Unthinkable. So I bought The Master by Colm Toibin at the airport bookstore. It's a fictionalization of Henry James's latter years, and so far it is beautiful and sad.

March 23, 2005

Was in Scottsdale, Am No More

  • Been busy. One of my favorite blog posts ever, too.
  • When Jerry and Esther made the announcement somebody let out this really loud gasp, then there was some whooping, a holler from Marc Canter, and much applause. Esther took a picture of Jerry right as he was announcing it. Marc Canter was described in the Tagging forum -- after all audience members were encouraged to take the mike to ask their questions -- as "the man who needs no microphone". That was a fruitful breakout session, all audience participation. Tagging is still being invented, so it was the perfect format.
  • Mitchell Baker, Chief Lizard Wrangler at Mozilla, is cool.
  • If you're ever in Scottsdale, you should go to Cowboy Ciao in the old downtown, and you should order the Stetson Chopped Salad and the Exotic Mushroom Pan Fry. They've got an amazing wine list too.
  • I showed Melody the lining of my leather jacket and she told me a Zen saying: The dharma is found under the chins of dragons and in the linings of coats. Lovely, no?
  • I am loving The Master. It's as good as the blurbs say it is.

March 25, 2005

Very Beautiful Very Beautiful

This age, known as Very Beautiful, Very Beautiful, lasted 400 trillion oceans of years, and gave way to that known as Very Beautiful, which --- as the name suggests --- was exactly half as fortunate as the former. The wish-fulfilling trees, the earth, and the waters were only half as bountiful as before. Men and women were only four miles tall, had only 128 ribs, lived for only two periods of countless years, and passed to the world of the gods when their twins were only 64 days old. This period lasted 300 trillion oceans of years, declining gradually but inevitably to the stage called Sorrowfully Very Beautiful, when joy became mixed with grief.

-- Jainist story of origins, sixth century BCE

Thank you Estee!

About March 2005

This page contains all entries posted to Caterina.net in March 2005. They are listed from oldest to newest.

February 2005 is the previous archive.

April 2005 is the next archive.

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